Released on 15th June
Formats:
LP - black vinyl, with cream sleeve
LPX - orange vinyl, with black sleeve (indie stores-only - 300 copies)
LPXX - ultra clear vinyl, with black sleeve, poster and hand-numbered (Bandcamp only - 200 copies)
CD & digital
Biography
It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, Stains on Silence by Girls Names is one such release.
Following 2015’s blitzing Arms Around a Vision, and the parting of drummer Gib Cassidy just over a year later, the Belfast band suddenly found themselves facing down a looming void. “There was a finished – and then aborted – mix of the album, which was shelved for six months,” reveals Girls Names frontman Cathal Cully. “We then took a break from all music and went back to full-time work. We chilled out from the stress of rushing the record and not being happy with it, as well as being skint with no impending touring on the cards and constantly having to worry about rent.”
The stumbling blocks that proved a strain became the album’s defining breakthrough. Recorded in various locations including Belfast’s Start Together Studio with Ben McAuley, Cully’s home and the band’s practice space, spontaneous creation, cut-up techniques and self-editing took centre-stage for the first time. "We started tearing the material apart and rebuilding, re-editing and re-recording different parts in my home in early Autumn last year,” says Cully. “When we got them to a place we were happier with we went back into Start Together Studio with Ben McAuley to finalise the mixes to what they are now."
Where AAAV proved a brazen statement of intent, Stains on Silence bounds forth as its feature-length comedown. What could have seen the band buckle became an opportunity for approaching things tabula rasa. During its two-year transmutation, Cully, bassist Claire Miskimmin and guitarist Philip Quinn had a single aim for their fourth album: to make an old-fashioned record clocking in around 30 to 35 minutes in length that made the listener reach straight for repeat. From the Bang Bang bar-summoning swoon of opener '25’ and the submerged disco doom of ‘Haus Proud’ to the rapt, dub-leaning ‘Fragments of a Portrait’, Girls Names have excelled in their goal by forging an LP of synchronous nuance and defiance.
Marked by the presence of drum machines and programming throughout, these eight masterfully-woven tales are once again commandeered by founder Cully, whose words, understated yet defiant, mine purpose and meaning from the mire ("I want to bathe again, I want to swim again / In a pool of twisting bodies, blackened gold." — ‘25’). But while Stains on Silence came critically close to never being made, having lived with it, reconfigured it, and guided its metamorphosis from flickers of inspiration and half-formed schemes, it’s both a statement of pure perseverance, and a head-on confrontation with ambivalence that couldn’t be more assured. - Brian Coney, March 2018
supported by 11 fans who also own “Stains on Silence”
That synth pop like this exists in the 21st century is a gift from the heavens. The cheeky reverences to the past (the orchestra blast in "LA"!) are a delight. And it's all so smooth - cool - dark. Addictive! Alexander S. Kunz
supported by 11 fans who also own “Stains on Silence”
This EP might just be the apotheosis of Protomartyr. They really seem to have nailed their sound here: it's pretty as a rainbow in a petrol spill, brutal as an eight-pint bar fight, sad as giving in to another night's insomnia. cryin' Branston
supported by 11 fans who also own “Stains on Silence”
Bauhaus was one of the 1st bands that got me into Gothic Rock, aside from The Doors. Despite Bauhaus' disdain from being called Goth, their dark, gloomy, poetic music is breathtaking, just as their contemporaries (i.e. The Cure, Joy Division, Siouxsie&theBanshees, and Ecoh&theBunnymen). Their Influence on music cannot go unnoticed. From Marilyn Manson to Danzig to She Wants Revenge, their mark is made and it will always be there. çok yaşa Bauhaus. mew8492
A new five-track EP from KOKOKO! blends Congolese rhythms with post-punk aesthetics, which makes for a gripping listen. Bandcamp New & Notable Dec 24, 2018